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U2 ~ One Tree Hill


We turn away to face the cold, enduring chill As the day begs the night for mercy Your sun so bright it leaves no shadows, only scars Carved into stone on the face of earth The moon is up and over One TreeHill We see the sun go down in your eyes You ran like river to the sea Like a river to the sea And in our world a heart of darkness, a firezone Where poets speak their hearts, then bleed for it Jara sang his song a weapon, in the hands of love You know his blood still cries from the ground It runs like a river to the sea Like a river to the sea II don't believe in painted roses or bleeding hearts While bullets rape the night of the merciful I'll see you again when the stars fall from the sky And the moon has turned red over One Tree Hill We run like a river to the sea Like a river to the sea (Greg Carroll's Funeral, Wanganui, New Zealand, 10th July 1986) more free lyrics

We turn away to face the cold, enduring chill
As the day begs the night for mercy
Your sun so bright it leaves no shadows, only scars
Carved into stone on the face of earth
The moon is up and over One TreeHill
We see the sun go down in your eyes

You ran like river to the sea
Like a river to the sea

And in our world a heart of darkness, a firezone
Where poets speak their hearts, then bleed for it
Jara sang his song a weapon, in the hands of love
You know his blood still cries from the ground

It runs like a river to the sea
Like a river to the sea

II don't believe in painted roses or bleeding hearts
While bullets rape the night of the merciful
I'll see you again when the stars fall from the sky
And the moon has turned red over One Tree Hill

We run like a river to the sea
Like a river to the sea

(Greg Carroll's Funeral, Wanganui, New Zealand,
10th July 1986)

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The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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