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16 Horsepower ~ Low Estate


To hell with boys creepin' up slowly Swingin' them shovels 'round Diggin' up words of pleasure From evil hollow ground O - an' here's one now girl The devil is in his eye You'd better start stirring up soil boy Or hear e'r you'll lye Whispered to you in the dark And i think you heard me say Let's say goodbye like we said hello In a friendly kind of way Ye charlie's neat an' charlie's keen but David he's a dandy David he's a nice young man He feeds the girls on candy Whispered to you in the dark And all that sordid gain Let's say goodbye like we said hello In a friendly kinda way Now what i done's my damage An' what you do is your'n Y'all got nothin' on me But i'll take that there Crown of scorn more free lyrics

To hell with boys creepin' up slowly
Swingin' them shovels 'round
Diggin' up words of pleasure
From evil hollow ground
O - an' here's one now girl
The devil is in his eye
You'd better start stirring up soil boy
Or hear e'r you'll lye
Whispered to you in the dark
And i think you heard me say
Let's say goodbye like we said hello
In a friendly kind of way
Ye charlie's neat an' charlie's keen but
David he's a dandy
David he's a nice young man
He feeds the girls on candy
Whispered to you in the dark
And all that sordid gain
Let's say goodbye like we said hello
In a friendly kinda way
Now what i done's my damage
An' what you do is your'n
Y'all got nothin' on me
But i'll take that there
Crown of scorn

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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